Despite exhibiting at prestigious venues including the Museum of Modern Art (1930) and the Bernheim-Jeune Gallery in Paris (1927), Clivette's work largely disappeared from public view after his death in 1931. For nearly a century, his paintings remained in private collections, unseen by art historians and the public.
Now, through the efforts of Four Riders LLC and the Clivette Estate, these remarkable works are being cataloged, restored, and shared with the world. The first major exhibition in 100 years took place in 2024 at Denenberg Fine Arts in Los Angeles, reintroducing Clivette's powerful paintings to contemporary audiences.
The Paintings
Clivette's work evolved from Ashcan School realism to bold expressionism over his two-decade painting career. His subjects ranged from the "Vamp" series—depicting 1920s burlesque performers in vivid, unflinching detail—to Native American portraits that drew on his frontier upbringing, to seascapes and still lifes that showed his evolving abstract sensibility.
His technique was distinctive: he rarely painted over a stroke twice, bringing the physical discipline of his acrobatic training to the canvas. Each brushstroke was a calculated performance, creating paintings that vibrate with energy and life.
Critics of his era recognized his innovation. The New York Times called him "the forerunner of Soutine," and the French government purchased one of his works for the Luxembourg Museum. Today, art historians are reassessing his place in American modernism, recognizing Clivette as a crucial bridge between early 20th-century realism and mid-century abstraction.